The
Two Babylons
Chapter
II Objects of Worship
Section II - Sub-Section IV
The Death of the Child
How Nimrod died, Scripture is
entirely silent. There was an ancient tradition that he came to a
violent end. The circumstances of that end, however, as antiquity
represents them, are clouded with fable. It is said that tempests of
wind sent by God against the Tower of Babel overthrew it, and that
Nimrod perished in its ruins. This could not be true, for we have
sufficient evidence that the Tower of Babel stood long after Nimrod's
day. Then, in regard to the death of Ninus, profane history speaks
darkly and mysteriously, although one account tells of his having met
with a violent death similar to that of Pentheus, Lycurgus, * and
Orpheus, who were said to have been torn in pieces. **
* Lycurgus, who is commonly
made the enemy of Bacchus, was, by the Thracians and Phrygians,
identified with Bacchus, who it is well known, was torn in pieces.
** LUDOVICUS VIVES, Commentary
on Augustine. Ninus as referred to by Vives is called "King
of India." The word "India" in classical writers, though not always,
yet commonly means Ethiopia, or the land of Cush. Thus the Choaspes in
the land of the eastern Cushites is called an "Indian River" (DIONYSIUS
AFER. Periergesis); and the Nile is said by Virgil
to come from the "coloured Indians" (Georg)--i.e.,
from the Cushites, or Ethiopians of Africa. Osiris also is by Diodorus
Siculus (Bibliotheca), called "an Indian by
extraction." There can be no doubt, then, that "Ninus, king of India,"
is the Cushite or Ethiopian Ninus.
The identity of Nimrod,
however, and the Egyptian Osiris, having been established, we have
thereby light as to Nimrod's death. Osiris met with a violent death,
and that violent death of Osiris was the central theme of the whole
idolatry of Egypt. If Osiris was Nimrod, as we have seen, that violent
death which the Egyptians so pathetically deplored in their annual
festivals was just the death of Nimrod. The accounts in regard to the
death of the god worshipped in the several mysteries of the different
countries are all to the same effect. A statement of Plato seems to
show, that in his day the Egyptian Osiris was regarded as identical
with Tammuz; * and Tammuz is well known to have been the same as
Adonis, the famous HUNTSMAN, for whose death Venus is fabled to have
made such bitter lamentations.
* See WILKINSON'S Egyptians.
The statement of Plato amounts to this, that the famous Thoth was a
counsellor of Thamus, king of Egypt. Now Thoth is universally known as
the "counsellor" of Osiris. Hence it may be concluded that Thamus and
Osiris are the same.
As the women of Egypt wept for
Osiris, as the Phoenician and Assyrian women wept for Tammuz, so in
Greece and Rome the women wept for Bacchus, whose name, as we have
seen, means "The bewailed," or "Lamented one." And now, in connection
with the Bacchanal lamentations, the importance of the relation
established between Nebros, "The spotted fawn," and Nebrod, "The mighty
hunter," will appear. The Nebros, or "spotted fawn," was the symbol of
Bacchus, as representing Nebrod or Nimrod himself. Now, on certain
occasions, in the mystical celebrations, the Nebros, or "spotted fawn,"
was torn in pieces, expressly, as we learn from Photius, as a
commemoration of what happened to Bacchus, * whom that fawn
represented.
* Photius, under the head
"Nebridzion" quotes Demosthenes as saying that "spotted fawns (or
nebroi) were torn in pieces for a certain mystic or mysterious reason";
and he himself tells us that "the tearing in pieces of the nebroi (or
spotted fawns) was in imitation of the suffering in the case of
Dionysus" or Bacchus. (PHOTIUS, Lexicon)
The tearing in pieces of
Nebros, "the spotted one," goes to confirm the conclusion, that the
death of Bacchus, even as the death of Osiris, represented the death of
Nebrod, whom, under the very name of "The Spotted one," the Babylonians
worshipped. Though we do not find any account of Mysteries observed in
Greece in memory of Orion, the giant and mighty hunter celebrated by
Homer, under that name, yet he was represented symbolically as having
died in a similar way to that in which Osiris died, and as having then
been translated to heaven. *
* See OVID'S Fasti.
Ovid represents Orion as so puffed up with pride on account of his
great strength, as vain-gloriously to boast that no creature on earth
could cope with him, whereupon a scorpion appeared, "and," says the
poet, "he was added to the stars." The name of a scorpion in Chaldee is
Akrab; but Ak-rab, thus divided, signifies "THE GREAT OPPRESSOR," and
this is the hidden meaning of the Scorpion as represented in the
Zodiac. That sign typifies him who cut off the Babylonian god, and suppressed
the system he set up. It was while the sun was in Scorpio that Osiris
in Egypt "disappeared" (WILKINSON), and great
lamentations were made for his disappearance.
Another subject was mixed up with the death of the Egyptian god; but it
is specially to be noticed that, as it was in consequence of a conflict
with a scorpion that Orion was "added to the
stars," so it was when the scorpion was in the
ascendant that Osiris "disappeared."
From Persian records we are
expressly assured that it was Nimrod who was deified after his death by
the name of Orion, and placed among the stars. Here, then, we have
large and consenting evidence, all leading to one conclusion, that the
death of Nimrod, the child worshipped in the arms of the goddess-mother
of Babylon, was a death of violence.
Now, when this mighty hero, in
the midst of his career of glory, was suddenly cut off by a violent
death, great seems to have been the shock that the catastrophe
occasioned. When the news spread abroad, the devotees of pleasure felt
as if the best benefactor of mankind were gone, and the gaiety of
nations eclipsed. Loud was the wail that everywhere ascended to heaven
among the apostates from the primeval faith for so dire a catastrophe.
Then began those weepings for Tammuz, in the guilt of which the
daughters of Israel allowed themselves to be implicated, and the
existence of which can be traced not merely in the annals of classical
antiquity, but in the literature of the world from Ultima Thule to
Japan.
Of the prevalence of such
weepings in China, thus speaks the Rev. W. Gillespie: "The dragon-boat
festival happens in midsummer, and is a season of great excitement.
About 2000 years ago there lived a young Chinese Mandarin, Wat-yune,
highly respected and beloved by the people. To the grief of all, he was
suddenly drowned in the river. Many boats immediately rushed out in
search of him, but his body was never found. Ever since that time, on
the same day of the month, the dragon-boats go out in search of him."
"It is something," adds the author, "like the bewailing of Adonis, or
the weeping for Tammuz mentioned in Scripture." As the great god Buddh
is generally represented in China as a Negro, that
may serve to identify the beloved Mandarin whose loss is thus annually
bewailed. The religious system of Japan largely coincides with that of
China. In Iceland, and throughout Scandinavia, there were similar
lamentations for the loss of the god Balder. Balder, through the
treachery of the god Loki, the spirit of evil, according as had been
written in the book of destiny, "was slain, although the empire of
heaven depended on his life." His father Odin had "learned the terrible
secret from the book of destiny, having conjured one of the Volar from
her infernal abode. All the gods trembled at the knowledge of this
event. Then Frigga [the wife of Odin] called on every object, animate
and inanimate, to take an oath not to destroy or furnish arms against
Balder. Fire, water, rocks, and vegetables were bound by this solemn
obligation. One plant only, the mistletoe, was overlooked. Loki
discovered the omission, and made that contemptible shrub the fatal
weapon. Among the warlike pastimes of Valhalla [the assembly of the
gods] one was to throw darts at the invulnerable deity, who felt a
pleasure in presenting his charmed breast to their weapons. At a
tournament of this kind, the evil genius putting a sprig of the
mistletoe into the hands of the blind Hoder, and directing his aim, the
dreaded prediction was accomplished by an unintentional fratricide. The
spectators were struck with speechless wonder; and their misfortune was
the greater, that no one, out of respect to the sacredness of the
place, dared to avenge it. With tears of lamentation they carried the
lifeless body to the shore, and laid it upon a ship, as a funeral pile,
with that of Nanna his lovely bride, who had died of a broken heart.
His horse and arms were burnt at the same time, as was customary at the
obsequies of the ancient heroes of the north." Then Frigga, his mother,
was overwhelmed with distress. "Inconsolable for the loss of her
beautiful son," says Dr. Crichton, "she despatched Hermod (the swift)
to the abode of Hela [the goddess of Hell, or the infernal regions], to
offer a ransom for his release. The gloomy goddess promised that he
should be restored, provided everything on earth were found to weep for
him. Then were messengers sent over the whole world, to see that the
order was obeyed, and the effect of the general sorrow was 'as when
there is a universal thaw.'" There are considerable variations from the
original story in these two legends; but at bottom the essence of the
stories is the same, indicating that they must have flowed from one
fountain.
The Two Babylons: Contents
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